The essential elements that shift the fight into the next gear. Then back up and falls into step behind ROSS. Both of these examples came from successful films.
The other way is to lay out the fight scene on the page. That means if you're writing a script about how you want violence to end, you have to make the action on the page both exciting and reconcile that theme. Below is an excerpt of Rambo: Last Blood, a fifth installment of the Rambo franchise I pitched to the rights owners and later had the opportunity to script.
How specific should you get? A fight scene has the ability to transcend the words on the page and make or break a script. The stakes are as high as they get.
Brendan had the objective of supporting his family and keeping their house, but he was conflicted by the notion of having to beat his brother to do so. Some writers don't go into much detail at all, leave the fight choreography up to the stunt people or fight choreographers.
And, saying this, he demonstrates. We know WHY this is happening, and we have the execution for how it should happen as well.